Prelude no 15 in Db major by Chopin

The song Prelude zero(prenominal)15 by Chopin, also k straightawayn as the raindrop serve is manufacture verbally in ternary form, which delegacy its an ABA structure. Its structure unlike legion(predicate) former(a) preludes has a very clear multiple form structure with a closing curtain at the end to finish the spot nicely. Section A is written in Db, while section B is written enharmonically in C minor. Although it is in trinity form the arrange can be split into 4 parts. The Coda, A, B, and A again. song and RhythmJust like the visit of the piece, Raindrop, passim the piece sustained notes ar used to act as the nonstop raindrops fall. During the piece such as in the first bar, Chopin uses descending notes and arpeggios to represent falling raindrops. He also uses septuplets and turns to develop sympathetic effects. He changes to the relative minor and dominating keys to create chromosomal mutation within the line. keystoneThe Raindrop Prelude is written in Db major with 5 flats. Bb, Eb, Ab, Db and Gb. The piece is largely tonal and uses many variant relative keys to create variation throughout the piece.Texture.Although the Raindrop Prelude is written and play on one diffuse the texture is generally quite thick throughout. Chopin, in the B section, uses a technique called doubling to create a powerful and a score up of the texture. This is where a note is played in octaves in both lapses creating a to a greater extent emotional mental picture as well, as a birth of romantic music. The texture could be exposit as both polyphonic and same as the melody above the pedaled notes is more complex but fits in with many of the sustained notes.Use of Piano.Because Prelude no. 15 is written for piano Chopin uses the abilities of the piano very well to create variation among sections. For example, in section B the melody is played in the Left hand rather than the Right which created a humbled forceful and powerful sound. Also by using ped aled notes in both the union and melody the sound of the piano created the touch sensation of raindrops. Chopin also wrote Prelude no. 15 because many pieces of music were created for the piano in the Romantic era as the instrumental role was developed and made bigger which enables it to create Cantabile sounds and sustained slurs with pedals. Also pianos were now able to make larger ranges of dynamics, reefer and pitches because of the use of hammers on strings and the lengthiness of octaves.